The Quiet Power of Negative Space
Empty space is not wasted space. It is the most underrated tool a designer owns.
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Type & Print
Why Risograph Refuses to Die
In an age of perfect digital output, a temperamental Japanese duplicator has a cult following.
The Studio
Inside a Working Screen-Print Studio
Behind the finished tee or poster lies a process that is equal parts chemistry, muscle and patience.
Type & Print
The Return of Hand-Set Type
Letterpress was supposed to be extinct. A new generation of printers had other ideas.
Wearable
What Makes a Good Graphic Tee Work
A shirt is a moving canvas roughly the size of a small poster. Designing for it is harder than it looks.
The Gallery
How Galleries Hang a Show
The order, height and spacing of works on a wall is an art form most visitors never see.
The Gallery
The Maker's Market Comeback
Why face-to-face craft fairs are thriving in an era when you can buy anything online.
The Studio
Colour Theory for Print, Not Screens
Everything you learned about colour on a glowing display starts to fall apart on paper.
Type & Print
The Craft of the Limited-Edition Print
What turns a reproduction into a collectible, and why the number in the corner matters.
The Studio
Studio Light and Why It Matters
Ask any designer about their workspace and the conversation turns, surprisingly fast, to light.
The Gallery
The Designer's Responsibility
Design shapes what people see, buy and believe. With that influence comes an obligation.